Noty $112.00

Originál

Poul Ruders. Corpus Cum Figuris. Score. Sheet Music. Chamber Orchestra. CHAM. Poul Ruders.

Preklad

Poul Ruders. Corpus Cum Figuris. Skóre. Noty. Komorný orchester. CHAM. Poul Ruders.

Originál

Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre , a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic. melodic ritual which accelerates the music. In the third part the block structure is softened gradually, different figurations and stylistic elements arise to live their own lives. distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cum Figuris. The piece has no literal content at all, even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. More likely, my piece will arouse associations as with all my music. It has to be heard in it’s own conditions, in this case as a big body of music or perhaps as a great screen where the details, of course, are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984, commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble InterContemporain world premiered the work in April 1985 conducted by Peter Eötvös. The piece was also played at the ISCM-festival in Amsterdam by Netherland Radio Chamber Orchestra conducted by Ernest Bour.

Preklad

Corpus Cum Figuris je jednotná kompozícia v troch hlavných častiach. Prvá časť je pomalý Marche Funebre, druh prológu sa tmavé a ponuré zvuky a masívne stenou akordov, ktoré nás vedie k druhej časti diela, kde je statická a slávnostná atmosféra náhle zastavil a nahradené rytmické. melodický rituál, ktorý urýchľuje hudbu. V tretej časti je bloková štruktúra zmäkol postupne rôzne konfiguráciu a štylistické prvky vznikajú žiť svoj vlastný život. vzdialenej valčíky a obrázky zo stredoveku sa v tejto gigantickej zvučným telo. Po divokej bicie orgie krátky záblesk-back a výkrik z konca hrany korpusu cum Figuris. The piece has no literal content at all, even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. Viac pravdepodobný, bude môj kus vzbudiť združenia ako všetkej hudby. It has to be heard in it’s own conditions, in this case as a big body of music or perhaps as a great screen where the details, of course, are part of the whole body but at the same time are foreign and odd. Je to, ako keby jeden lezie na horu a z vrcholu tejto hory objavuje svet, ktorý je úplne odlišný od očakávanej. Corpus cum Figuris pre 20 hudobníkov bola zložená v roku 1984, ktorú si Ensemble InterContemporain a dánskej rozhlasu. Ensemble InterContemporain svet premiéru práce v apríli 1985 pod taktovkou Petera Eötvösa. Kus bol tiež hral v MUICP-festivale v Amsterdame Netherland Radio Chamber Orchestra pod taktovkou Ernest Bour.