Noty $44.12

Originál

Peter Maxwell Davies. Job. Study Score. Sheet Music. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. BARITONE. SATB. ORCH. Peter Maxwell Davies.

Preklad

Peter Maxwell Davies. Práce. Štúdie Score. Noty. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. Baritone. SATB. Orch. Peter Maxwell Davies.

Originál

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprano. , Linda Maguire. mezzo soprano. , Paul Moore. tenor. and Kevin McMillan. baritone. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Like Vaughan Williams in his Job. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages. there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job..

Preklad

V prípade objednania viac ako 10 kópií, kontaktujte nás na 44. 1284 725725 a skontrolujte si obsadenosť. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprán. , Linda Maguire. mezzo-soprán. , Paul Moore. tenor. a Kevin McMillan. barytón. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Rovnako ako Vaughana Williamsa v jeho práci. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. Barytón má leví podiel na nastavenie, keď ďalšie sólisti občas posilniť jeho prosbu a zborové podobné epizódy zovšeobecniť jeho trápenie. Davies rámy s prácou s dvoma semenných plainsong podobné pasáže. je tu tiež veľa dramatických kontrastu tak v rámci monológov Jóbovi a v živej orchestrálne písania pre Podliezavé potešili, spočiatku prenikavý Boh, ktorý sa konečne z oslnivé orchestrálne vieru a život zvierat sa používa pre ilustráciu divy stvorenia na pokorený job..