Noty $47.28

Originál

Benjamin Britten. Double Concerto. Full Score. Sheet Music. Violin, Viola, Orchestra. VLN. VLA. ORCH. Benjamin Britten.

Preklad

Benjamin Britten. Dvojkoncert. Full Score. Noty. Violin, Viola, Orchestra. VLN. VLA. Orch. Benjamin Britten.

Originál

Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written. in less than three weeks. very soon after Britten had completed the first draft of the Double Concerto. but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale. and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind. he was, of course, a Viola player, although he is not likely to have intended the part for himself. He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it. but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932. 'I have never heard such an appalling row. ' reads another diary entry. discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto. Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto'. is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan. The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews.

Preklad

Britten bol tak pozoruhodne plodný ako mladý skladateľ, že mnohé z týchto diel z jeho mladistvom veku boli dané stranou počkať na revíziu alebo dokončenie, keď sa ponáhľal na ďalší kus. To bolo obzvlášť prípad v čase okolo jeho Opus 1 Sinfonietta, zložený v lete roku 1932, jeho druhý rok ako študent na Royal College of Music. Sinfonietta bola napísaná. za menej ako tri týždne. Veľmi skoro po Britten dokončil prvý návrh Double Concerto. ale po skončení Sinfonietta vrátil revidovať Koncert je druhou vetu. Začal pracovať na svojom Op.2 fantázie pre hoboj a sláčikové trio o niekoľko týždňov neskôr. Hoci koncert nasleduje rovnaký tri vzorec pohybu ako Sinfonietta, to je ambicióznejší v mierke. a od tej doby je skica, neobvykle pre Britten, kompletné prakticky v každom detaile, je zarážajúce, že sa nikdy plne skóre práce po ukončení zložení, a zdá sa, že sa ani nepokúsil dostať sa vykonáva. Nie je jasné, či mal konkrétny umelca na mysli. bol, samozrejme, violista, aj keď nie je pravdepodobné, že určená časť pre seba. Ukázal prácu k jeho zloženie učiteľ na vysokej škole, John Ireland, ktorý, ako je Britten zaznamenaný vo svojom denníku, bol "celkom potešila" s ním. ale to je výrazne možné, že jeho skúsenosti v skúšať Sinfonietta sa študentským orchestrom roku 1932. "Nikdy som nepočul taký otrasný riadok. "Znie ďalšiu položku denník. odradiť ho od cesty na dokončenie Dvojkoncert v skóre. Nebol počuť žiadny z jeho orchestrálnych diel až do prvého výkonom našich Poľovnícke otcov v roku 1936. Vzhľadom k tomu, Brittena partitúry to bolo nutné, aby som sa na prípravách prác z náčrtu. Ale inštrumentácie je tak starostlivo uvádza v návrhu, že výsledné skóre nie je zďaleka 100% Britten - iba medzi tyče 70 a 74 pomalý pohyb to sa zdá, že je potrebné dodať nič podstatné do Brittena textúry. Double Concerto. Brittenova rukopis názov bol "Koncert h moll", ale on sa odvolával na to vo svojom denníku, v charakteristickej skratka, ako "2ble koncert". je najnovší prírastok do svojho korpusu prác, väčšinou z roku Britten pre mládež a čoskoro zrelosť, že po jeho smrti boli oživil po mnohých rokoch, alebo hral prvýkrát. Britten sám občas sa vrátil k jeho raných diel, a jeho posledné roky reviduje aj predčasné Sláčikový kvartet D 1931 a operu Paul Bunyan. Piano skóre publikované oddelene, nie je zníženie z orchestrálne partitúry, ale prepis Brittenovy zloženie náčrtok, vrátane jeho označenie inštrumentácie. Prvé predstavenie Dvojkoncert dostal na 50. Aldeburgh festivale Katherine Huňka a Philip Dukes, s Britten-Pears Orchestra pod taktovkou Kenta Nagana, na 15.června 1997. -Colin Matthews.