Noty $6.95

Originál

Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Johann Sebastian Bach. Voice sheet music. Choir sheet music. Piano Accompaniment sheet music.

Preklad

Kantáta č 129. Nech je zvelebený Pán, môj Boh, BWV 129 bolo. Johann Sebastian Bach. Hlas noty. Zbor noty. Klavírny sprievod notový záznam.

Originál

Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Bach Gesellschaft Ausgabe. Composed by Johann Sebastian Bach. 1685-1750. Edited by Alfred Dorffel. Arranged by Bernhard Todt. Choir and piano. For SAB vocal soli, SATB choir, piano. This edition. Paperback. Sacred Cantata, Original Works, Transcriptions, Choral. Baroque Period. Sacred. Hymns, German. Vocal Score. 40 pages. Published by Serenissima. SA.19689. ISBN 9781932419689. Baroque Period. Sacred. Hymns, German. 6.69 x 9.61 inches. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.

Preklad

Kantáta č 129. Nech je zvelebený Pán, môj Boh, BWV 129 bolo. Bach Gesellschaft vydania. Od Johanna Sebastiana Bacha. 1685-1750. Zmenené Alfred Dorffel. Dohodol Bernhard Todt. Zbor a klavír. Pre SAB vokálne sóla, zbor SATB, klavír. Toto vydanie. Brožovaná. Sacred Kantáta, Pôvodné práce, prepisy, Choral. Barokový obdobie. Posvätný. Hymns, nemecký. Vocal Score. 40 strán. Vydal Serenissima. SA.19689. ISBN 9781932419689. Barokový obdobie. Posvätný. Hymns, nemecký. 6,69 x 9,61 palca. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.