Nástroje
Ensembles
Genres
Skladatelia
Umelci

Noty $8.95

Originál

Requiem in C minor. Luigi Cherubini. B-Flat Trumpet sheet music. Choir sheet music. Double Bass sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music.

Preklad

Requiem c moll. Luigi Cherubini. B-Flat trumpeta noty. Zbor noty. Double Bass noty. Horn noty. Bicie noty. Tympány noty. Trombone noty.

Originál

Requiem in C minor composed by Luigi Cherubini. 1760-1842. Edited by Wolfgang Hochstein. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, tamtam, 2 violins, 2 violas, cello, contrabass. C-Moll. C minor. Score available separately - see item CA.4008600. Requiem, Mourning, death. Cello part. Language. Latin. 16 pages. Duration 50 minutes. Published by Carus Verlag. CA.4008615. ISBN M-007-06128-9. With Language. Latin. Requiem, Mourning, death. Cherubini's Requiem in C minor for mixed choir. without vocal soloists. and orchestra, which is presented here in a critical new edition, is among the most significant contributions to this genre in the 19th century. It was composed in Paris in 1816 and within a short time it became well known. Musicians such as Beethoven, Schumann and Brahms held it in high esteem because of the work's superior compositional construction, orchestration, mastery of form and the balance in proportion between text and music.

Preklad

Requiem c moll zložil Luigi Cherubini. 1760-1842. Zmenené Wolfgang Hochstein. Pre SATB spevácky zbor, 2 hoboja, 2 klarinety, 2 fagoty, 2 rohy, 2 trubky, 3 trombón, tympany, Tamtam, 2 husle, 2 violy, violončelá, kontrabas. C-Moll. C menšie. Skóre dispozícii samostatne - viď bod CA.4008600. Requiem, smútok, smrť. Cello časť. Jazyk. Latina. 16 strán. Doba trvania 50 minút. Vydal Carus Verlag. CA.4008615. ISBN M-007-06128-9. Sa jazyk. Latina. Requiem, smútok, smrť. Cherubini Requiem c moll pre zmiešaný zbor. bez vokálnych sólistov. a orchester, ktorý je tu prezentovaný v kritickom novom vydaní, je jedným z najvýznamnejších príspevkov k tomuto žánru v 19. storočí. To bolo zložené v Paríži v roku 1816 a behom krátkej doby sa stala dobre známou. Hudobníci, ako Beethoven, Schumanna a Brahmsa držal ho vo veľkej úcte, pretože vynikajúcu kompozičnú výstavby diela, orchestrácie, zvládnutie formy a rovnováhy v pomere medzi textom a hudbou.