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Originál

Domine ad adjuvandum me. Johann Christian Bach. Voice sheet music. Choir sheet music. Horn sheet music. Piano and Keyboard sheet music.

Preklad

Domine ad adjuvandum me. Johann Christian Bach. Hlas noty. Zbor noty. Horn noty. Klavír a klávesnice noty.

Originál

Domine ad adjuvandum me. Responsorium. Composed by Johann Christian Bach. 1735-1782. Edited by Guido Erdmann. For SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo. Latin Psalms. Language. Latin. Warb E 14. 4 pages. Duration 5 minutes. Published by Carus Verlag. CA.3810412. With Language. Latin. Latin Psalms. At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family. he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers. it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript.

Preklad

Domine ad adjuvandum me. Responzórium. Od Johanna Christiana Bacha. 1735-1782. Upravil Guido Erdmann. U SA vokálne sóla, SATB spevácky zbor, 2 hoboja, 2 lesný roh, 2 husle, viola, basso continuo. Latinské Psalms. Jazyk. Latina. Penice E 14. 4 strany. Dĺžka 5 minút. Vydal Carus Verlag. CA.3810412. Sa jazyk. Latina. Latinské Psalms. Vo veku iba 20, Johann Christian Bach, najmladší syn Johanna Sebastiana Bacha, na Kantora svätého Tomáša, nechal za Lutheran hudobnú tradíciu svojej rodiny. odišiel do Talianska, konvertoval ku katolicizmu tam a úspešne zložené opier pre Turín, Miláno a Neapol. Často prehliadané sú katolícke Bachove nádherné kostol hudobné diela, takmer všetci napísaný v rokoch 1757-1760, a ktorý mal významný vplyv na jeho čas v Taliansku. Medzi ne patrí rozsiahle nastavenia Vesper s impozantnou, symfonická štýlu inštrumentálne úvody, niekedy predvídať mozartovský idiómy. Bachova Domine ad adjuvandum ma, je okamžite podmanivej dielo, bol písaný pre otvorenie vešpier. zdá sa, že unášať pocitom eufórie účelu a dynamický bezstarostnosť, ktoré pozitívne vyžaruje juhoeurópskych temperament. Práca je uverejnená v autoritatívnych Stuttgart Urtext vydanie, na základe novo objavený Hamburg autografní rukopisu.