Noty $180.00

Originál

Monologues. Joseph Turrin. B-Flat Trumpet sheet music. Euphonium sheet music. Harp sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 5.

Preklad

Monológy. Joseph Turrini. B-Flat trumpeta noty. Euphonium noty. Harp noty. Horn noty. Bicie noty. Klavírny noty. Tympány noty. Trombone noty. Tuba noty. Stupeň 5.

Originál

Monologues. Euphonium Feature. Composed by Joseph Turrin. 1947-. Arranged by Dennis Wright. For Soloist. with Concert Band. Solo Euphonium, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Eb Clarinet, Bb Clarinet 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1-5, F Horn 1-4, Trombone 1-3, Euphonium, Tuba, Piano. Harp, Timpani, Percussion 1. Grade 5. Score and parts. Duration 22. 00. Published by C. Alan Publications. CN.17050. This 4-movement concerto for euphonium and wind ensemble showcases what Turrin does best. He makes a band sound like a full orchestra with his inventive textures and masterful scoring. Monologues was commissioned by the following consortium of universities. John N. Culvahouse, UGA Wind Ensemble. University of Georgia David Waybright, UF Wind Symphony. University of Florida Jim Copenhaver, USC Symphonic Band. University of South Carolina Cody Birdwell. George Boulden, UK Wind Ensemble. University of Kentucky Gary Sousa, UT Wind Ensemble. University of Tennessee Johnnie Vinson, AU Symphonic Band. Auburn University David Willson, UM Symphonic Band. University of Mississippi Dwayne Sagen. Tom Verrier, VU Wind Ensemble. Vanderbilt University Elva Kaye Lance, MSU Symphonic Band. Mississippi State University Frank Wickes, LSU Wind Ensemble. Louisiana State University W. Dale Warren, UA Wind Symphony. University of Arkansas Ken Ozello, UA Wind Ensemble. University of Alabama PERFORMANCE NOTES Chaconne. Although written in 4. 4 the metronome marking is in two. I would like this movement to have a two feel throughout. It will probably work best conducted in a moderate two instead of a fast four. Make sure that bar 60 keeps pace and does not slow down too much. This section needs to have some breath while maintaining a forward motion. The piece that comes to mind with this movement is Ravel's Bolero. Arioso. Make sure the triplets are played musically in the ensemble. Crescendos and decrescendos should be dramatic and powerful. Intonation is important especially in the close harmonies and clusters. Bar 57 through 72 is a chamber group section with only a few instruments playing. Make sure that the solo euphonium, since he or she is out front, is balanced in the texture. Intermezzo. This movement should be light and steady. Staccatos need to be short and animated and the sixteenth note passages need to have personality and flair. Make sure that the movement keeps its tempo and does not bog down. Capriccio. Not much to know about this movement except to be careful not to cover the soloist. Pay attention to the balance. The key word here is energetic. Keep the drive and excitement throughout.

Preklad

Monológy. Euphonium funkcie. Zložil Joseph Turrini. 1947 -. Dohodol Dennis Wright. Pre Sólista. s koncertné kapelu. Euphonium Solo, malý, 1-2 flauta, hoboj 1-2, 1-2 fagot, Eb klarinet, Bb klarinet 1-3, basový klarinet, alt saxofón 1-2, Tenor saxofón, barytón saxofón, Bb trúbka 1-5, F Horn 1-4, 1-3 pozauna, barytón, tuba, klavír. Harp, tympany, bicie 1. Stupeň 5. Score a diely. Doba trvania 22. 00. Vydal C. Alan Publikácie. CN.17050. Tento 4-hnutie koncert pre Euphonium a dychový orchester predvádza to, čo vie najlepšie Turrini. On robí kapela znie ako celý orchester so svojimi nápaditými textúr a majstrovskú bodovanie. Monológy bol poverený týmto konzorciom univerzít. John N. Culvahouse, UGA Wind Ensemble. University of Georgia David Waybright, UF Wind Symphony. University of Florida Jim Copenhaver, USC symfonického kapela. University of South Carolina Cody Birdwell. George Boulden, UK Wind Ensemble. University of Kentucky Gary Sousa, UT Wind Ensemble. University of Tennessee Johnnie Vinson, AU symfonického kapela. Auburn University David Willson, UM Symphonic pásmo. University of Mississippi Dwayne Sagen. Tom Verrier, JV Wind Ensemble. Vanderbilt University Elva Kaye Lanke, MsÚ Symphonic pásmo. Mississippi State University Frank Wickes, LSU Wind Ensemble. Louisiana State University W. Dale Warren, UA Wind Symphony. University of Arkansas Ken Ozelli, UA Wind Ensemble. University of Alabama VÝKONU POZNÁMKY Chaconne. Hoci písaný vo 4. 4 metronóm značenie je v dvoch. Rád by som toto hnutie majú dve cítiť po celom. To bude pravdepodobne fungujú najlepšie vykonáva v miernom dva namiesto štyroch rýchlo. Uistite sa, že bar 60 udržuje tempo a nespomaľuje príliš veľa. Táto časť musí mať nejaký dych pri zachovaní dopredný pohyb. Kus, ktorý príde na myseľ s týmto hnutím je Ravelovo Bolero. Arioso. Uistite sa, že trojica sa hrajú hudobne v súbore. Crescendo a decrescendos by mali byť dramatický a silný. Intonácia je dôležité najmä v blízkosti sú harmónie a klastrov. Bar 57 až 72 je rez komora skupina s iba niekoľkými nástrojov hrajúcich. Uistite sa, že sólo barytón, pretože on alebo ona je vonku, je vyvážený v štruktúre. Intermezzo. Tento pohyb by mal byť ľahký a stabilný. Staccatos musia byť krátke a animované a šestnástej poznámku priechody musia mať osobnosť a vkus. Uistite sa, že pohyb udržiava svoje tempo a nie je zaboriť. Rozmar. Nič moc vedieť o tomto hnutí, okrem dávať pozor na pokrytie nákladov na sólistu. Dávajte pozor na rovnováhu. Kľúčovým slovom je tu aktívna. Keep the drive and excitement throughout.