Noty $25.00

Originál

Concerto for Timpani & Band. Gordon Jacob. Percussion sheet music. Timpani sheet music. Grade 4.

Preklad

Koncert pre tympany. Gordon Jacob. Bicie noty. Tympány noty. Stupeň 4.

Originál

Concerto for Timpani & Band. Timpani Feature. Composed by Gordon Jacob. 1895-1986. For Soloist. with Concert Band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, 1st F Hor. Band Music. Grade 4.5. Score only. Duration 12. 30. Published by C. Alan Publications. CN.S11005. The nature of the timpani means that musical development is rhythmic rather than tonal. In the first movement, a broad theme is announced by the timpani themselves, and immediately echoed and modified by the full wind band. Material is embroidered by woodwinds and developed by the soloist. The second movement. Adagio. is virtually an aria in which we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted. Gordan Jacob wrote his Concerto for Timpani in 1984 and it was to be the last major work that he wrote before he died. It was written for a professional wind group in Konstanz. West Germany. and the first performance was given there in June 1984 with the soloist Klaus Huber. to whom it is dedicated. conducted by Douglas Bostock. In the first movement, a broad theme is announced by the timpani themselves based on a rising succession of thirds, and immediately echoed and modified by the full wind band. After a bridge, when the material is embroidered by woodwinds, the theme is presented in an inverted and varied form by the soloist before being developed. Unlike a Classical development in which tonality provides the tension, the nature of the timpani means that the development is rhythmic rather than tonal. To modulate extensively would obviously present problems even with pedal timpani. A recapitulation follows and a quasi cadenza leads to a strong close. The second movement. Adagio. is virtually an aria. The timpani carry the melody throughout, embellished and them embroidered by small groups of instruments presented in choirs. Jacob, the masterful orchestrator, allows only four bars of full band. By the end of only 47 bars, we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - displaying Jacob's English roots. his characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted.

Preklad

Koncert pre tympany. Tympány funkcie. Skladá sa Gordon Jakuba. 1895-1986. Pre Sólista. s koncertné kapelu. Piccolo, prvý flauta, 2. flauta, hoboj prvý, druhý hoboj, Eb klarinet. , 1. Bb klarinet, 2. Bb klarinet, 3. Bb klarinet, Eb Alto Clarinet. , Bb Bass Clarinet, prvý fagot, 2. fagot. , 1. Eb Alto Saxophone, 2. Eb Alto Saxophone, Bb tenor saxofón, prvý F Hôr. Kapela Hudba. Trieda 4.5. Skóre len. Doba trvania 12. 30. Vydal C. Alan Publikácie. CN.S11005. Povaha tympány znamená, že hudobný vývoj je rytmický, skôr než tónový. V prvom hnutia, široká téma bude oznámená na tympany sami, a okamžite zopakoval a upravený plné dychové kapely. Materiál je vyšívané dychové nástroje a vyvinutý sólista. Druhá veta. Príslovie. je prakticky áriu, v ktorej sme vľavo s expresívne nálady vykúzlil z tympány sami. Posledná veta je vyvádzanie - charakteristika Použitie kvázi-ľudovej materiál je vhodný pre kapely a rytmické charakteristiky tympány sú zvýraznené. Gordan Jacob napísal svoj Koncert pre tympany v roku 1984, a to mal byť posledný hlavné dielo, ktoré napísal pred svojou smrťou. To bolo napísané pre profesijné skupiny vetra v Kostnici. Západné Nemecko. a prvý výkon bol dávaný tam v júni 1984 sa sólistom Klaus Huber. , Ktorému je venovaná. pod taktovkou Douglasa BOSTOCK. V prvom hnutia, široká téma bude oznámená na tympany sami na základe rastúcej postupnosti tretín, a okamžite rozliehal a modifikované plné dychové kapely. Po mosta, keď je materiál vyšívané dychové nástroje, téma je uvedená v obrátenej a rozmanité formy podľa sólista pred vyvíjané. Na rozdiel od klasického vývoja, v ktorom tónov poskytuje napätie, povahy tympány znamená, že vývoj je rytmický skôr než tónový. Modulovať značne by zrejme súčasné problémy aj s pedálmi tympany. Rekapitulácia vyplýva a kvázi Cadenza vedie k silnému záveru. Druhá veta. Príslovie. je prakticky árie. Na tympany niesť melódiu po celú dobu, nazdobený a je vyšívaná malými skupinami nástrojov uvedených v zborov. Jacob, majstrovská Orchestrator, umožňuje len štyri tyče z plného kapely. Do konca roka iba 47 barov, my sme opustili s expresívne nálady vyčaroval zo samotných tympany. Posledná veta je vyvádzanie - zobrazenie Jacobov anglické korene. Jeho charakteristika použitie kvázi-folkového materiálu sa dobre hodí pre kapely a rytmické charakteristiky tympany sú zvýraznené.