Noty $23.00

Originál

Afta-Stuba. Marimba sheet music. Percussion sheet music. Tuba sheet music.

Preklad

Afta-Stuba. Marimba noty. Bicie noty. Tuba noty.

Originál

Afta-Stuba. composed by Mark Ford. Percussion Ensemble. For 3 players on one marimba. 1 marimba. low A. Level 5. Score and set of parts. Duration 8 minutes, 24 seconds. Published by Innovative Percussion. IP.E-MF-AFT. Composer's Notes. Afta-Stuba. is a sequel to my 1988 composition, Stubernic. Like Stubernic, Afta-Stuba. Is written for three players on one low A marimba. This composition can be performed after Stubernic or independently. A few Stubernic motives are utilized in Afta-Stuba. , and the main theme at bar 20 is derived from the first three notes of the theme of Stubernic. In this piece, each player plays in every register of the instrument at different times in the music. The work calls for the players to alternate positions behind the marimba, and even play the instrument from the front side. My goal for Afta-Stuba. was to combine quality music with a little fun to celebrate the potential of the marimba. t was premiered at the 2000 PASIC in Dallas, Texas with Christopher Deane, Shawn Hart and myself as performers. "Premiered at PASIC 2000, "Afta-Stuba. ," which is written for three marimbists performing on one low-A marimba, is a sequel to Mark Ford's "Stubemic. Ford suggests that both pieces could be performed in sequence on the same program. Those who have played "Stubemic" will recognize motives shared by both pieces. In fact, the main theme of "Afta Stuba. " derives from the first three notes of the theme of the previous composition. In "Afta-Stuba. " Ford exploits the spatial idiosyncracies of the marimba keyboard. The three marimbists must address the keyboard from all points of the compass in order to execute the tightly-written, closely coordinated, three-part counterpoint that characterizes the work. The result is a piece that provides as much fun for its performers as it does for the audience, and one that should be regularly heard on college percussion recitals. " - John R. Raush Percussive Notes, June 2001.

Preklad

Afta-Stuba. v zložení Mark Ford. Percussion Ensemble. Pre 3 hráči na jednom marimbu. 1 marimba. nízka. Level 5. Skóre a sada dielov. Dĺžka 8 minút, 24 sekúnd. Vydal inovatívne bicie. IP.E-MF-AFT. Skladatelových Poznámky. Afta-Stuba. je pokračovaním môjho 1.988 zloženie, Stubernic. Ako Stubernic, AFTA-Stuba. Je napísaná pre traja hráči na jednom nízku marimbu. Táto kompozícia môže byť vykonaná po Stubernic alebo nezávisle. Niekoľko Stubernic motívy sú využívané v AFTA-Stuba. , A hlavnou témou v bare 20 je odvodený z prvých troch poznámok na tému Stubernic. V tomto kuse, každý hráč hrá v každom registra nástroje v rôznych časoch v hudbe. Práce požaduje, aby hráči na alternatívne pozície za marimbu, a dokonca aj hrať na nástroj z prednej strany. Mojím cieľom pre AFTA-Stuba. bolo spojiť kvalitnú hudbu s trochou zábavy na oslavu potenciál marimbu. t mal premiéru v roku 2000 Pašić v Dallase, Texas s Christopherom Dean, Shawn Hart a ja ako umelci. "Premiéru v Pašić 2000" Afta-Stuba. ", Ktorý je napísaný pre tri marimbists hrať na jednu nízku-A marimbu, je pokračovanie Marka Forda" Stubemic. Ford naznačuje, že oba kusy by sa mohli vykonávať v poradí na rovnakom programe. Tí, ktorí hrali "Stubemic" spozná motívy zdieľané oboma kusy. V skutočnosti je hlavnou témou "AFTA Stuba. "Je odvodený z prvých troch poznámok na tému pôvodnom zložení. V "AFTA-Stuba. "Ford využíva priestorové idiosyncracies na klávesnici marimbu. Tri marimbists musí riešiť klávesnicu zo všetkých svetových strán, aby na vykonanie pevne napísaný, úzko koordinované, trojdielny kontrapunkt, ktorý charakterizuje prácu. Výsledkom je kus, ktorý poskytuje toľko zábavy pre svojich interpretov ako to robí pre divákov, a ten, ktorý by mal byť pravidelne počuť na vysokej škole bicie odôvodnenie. - John R. Raush Rázové Notes, jún 2001.