Noty $65.00

Originál

Let's Cool One. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Preklad

Poďme kľuďas. Gitara noty. B-Flat trumpeta noty. Bubny noty. Bicie noty. Klavírny noty. Trombone noty. Pokročilý.

Originál

Let's Cool One by The Thelonious Monk Big Band. Edited by Jeffrey Sultanof. Arranged by Oliver Nelson. For big band. 1 Alto Saxophone, 2 Tenor Saxophones, 1 Baritone Saxophone, 3 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium-difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8364. Background. Thelonious Monk had gone from a quirky pianist. composer to international star, in many ways thanks to a Columbia Records recording contract that began in 1962. Like fellow jazz artists on the label such as Dave Brubeck and Miles Davis, worldwide distribution of his recordings resulted in important engagements and tours all over the globe. By 1968 however, Columbia Records was changing its focus with regard to jazz and popular music. The home of Tony Bennett, Andy Williams and Johnny Mathis as well as Brubeck and Davis was now the home of Janis Joplin, Simon and Garfunkel, The Byrds and Paul Revere and the Raiders, so Bennett, Mathis and company were now encouraged to modernize. Miles Davis was going in that direction anyway, so he would have little problem at the label in the years to come. Mathis and Williams went pop. rock by choosing their songs carefully and were quite successful. Bennett refused to be something he wasn't, and finished out his contract with no support from the label. one of the albums he made during this period was one of his finest, arranged and conducted by Robert Farnon. it was barely released in the U.S. Brubeck just left the label. Thelonious Monk was in an unusual position at that time. He'd completed a problematic but successful international tour with an all-star octet. nonet, which was inexcusably not recorded by Columbia. some recordings from this tour are available on unauthorized CDs. He wasn't composing much new material, and Columbia wanted him to record songs written by the Beatles. His days were clearly numbered, but Columbia ended his contract with a bang. he made an album of his songs with big band. If anyone was a good fit to arrange the music of Thelonious Monk,. besides Hall Overton, arranger for Monk's appearances at Town Hall and Philharmonic Hall. , it was Oliver Nelson. By 1968, Nelson was a resident of Los Angeles after spending many years as part of the New York jazz scene. A saxophonist who had a very wide musical range, from rhythm and blues to hard bop and concert music for chamber groups and symphonic orchestra, he continued to write for singers, tour with his own small and large ensembles, and was now writing for television and motion pictures. He must have been delighted to work with Monk, but it was clear that this album was to be done quickly. Nelson's arrangements are very straightforward. theme, solos, out-chorus. , written for four reeds, six brass, guitar, bass, drums, and Monk. The album was recorded in three three-hour sessions, two of which were done in one day. The album itself received little publicity, and did not last long in the www. Notes to the Conductor. As stated above, these arrangements are not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it. 4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums. no optional parts have been added. When Nelson arranged these pieces, there were no lead sheets, so Monk played them for the arranger, who took them down. Several years ago, publisher Don Sickler prepared a folio of Monk lead sheets published by Thelonious Music and distributed by Hal Leonard. I was one of the editors who worked with Don. All melodies in these big band settings conform to the authorized versions of the compositions as published in the Monk fakebook. This arrangement is based on Oliver Nelson's original autograph score - this is not a transcription. Jeffrey Sultanof -February 2010 Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

Preklad

Poďme kľuďas podľa Thelonious Monk Big Band. Zmenené Jeffrey Sultanof. Dohodol Oliver Nelson. Pre veľkú skupinu. 1 Alto Saxophone, 2 Tenor saxofóny, 1 Baryton saxofón, 3 trúbky, 3 trombón, gitara, klavír, basa, bicie. Hojdačka. Stredne ťažké. Kompletné výsledky a sada dielov. Vydal Jazz Lines Publikácie. JL.JLP-8364. Pozadie. Thelonious Monk odišiel z nepredvídateľný pianista. skladateľ medzinárodnou hviezdou, v mnohých ohľadoch vďaka Columbia Records nahrávacej zmluvy, ktorá začala v roku 1962. Rovnako ako kolegovia jazzových umelcov na etikete ako Dave Brubeck a Milesa Davisa, po celom svete distribúciu svojich nahrávok za následok významné záväzky a zájazdov po celom svete. V roku 1968 však Columbia Records sa mení svoje zameranie s ohľadom na jazzovej a populárnej hudby. Domov Tony Bennett, Andy Williams a Johnny Mathis, rovnako ako Brubeck a Davis bol teraz domovom Janis Joplin, Simon a Garfunkel, The Byrds a Paul cťou a lupiči, takže Bennett, Mathis a spoločnosť sa teraz vyzývajú k modernizácii. Miles Davis sa bude v tomto smere rovnako, takže on by mal malý problém na štítku v rokoch. Mathis a Williams šiel pop. skala výberom ich piesne starostlivo a boli celkom úspešní. Bennett odmietol byť niečo, čo nie je, a skončil sa svoju zmluvu so žiadnou podporou zo štítku. jeden z albumov, ktoré on robil počas tohto obdobia bol jedným z jeho najlepších, usporiadané a vykonané Robert Farnon. to bolo sotva prepustený v U.S.. Brubeck práve opustil štítok. Thelonious Monk bol v neobvyklej pozícii v tej dobe. Mal dokončil problematické, ale úspešnú medzinárodné turné s all-star oktet. Nonet, ktorá bola neospravedlniteľne nie je zaznamenaný Columbia. Niektoré nahrávky z tohto turné sú k dispozícii na nepovolených CD. Nebol komponovaní veľa nového materiálu, a Columbia chcela nahrávať pesničky napísané Beatles. Jeho dni boli zrátané jasne, ale Columbia ukončil svoju zmluvu s ranou. Urobil album jeho piesní s big bandom. Ak niekto bol dobrou voľbou usporiadať hudbu Thelonious Monk,. Okrem Hall Overton, aranžér pre vystúpenie mnícha na radnici a Filharmónie. , Bolo Oliver Nelson. V roku 1968, Nelson bol rezidentom v Los Angeles po tom, čo strávil veľa rokov ako súčasť newyorskej jazzovej scény. Saxofonista, ktorý mal veľmi široké hudobné spektrum, z rytmu a blues na pevný platobnej bilancie a koncertné hudby pre komorné skupiny a symfonického orchestra, on pokračoval písať pre spevákov, turné so svojimi vlastnými malé aj veľké súbory, a teraz písal pre televíziu a filmy. Musel byť radi, že pracovať s Monk, ale bolo jasné, že toto album bolo treba urobiť rýchlo. Opatrenia Nelsona sú veľmi jednoduché. téma, sóla, mimo zbor. , Písaný pre štyri rákosie, šesť mosadze, gitara, basa, bicie, a Monk. Album bol nahrávaný v troch trojhodinových sedení, z ktorých dva boli vykonané v jeden deň. Samotné album dostal malú publicitu, a netrvalo dlho www. Poznámky k vodičmi. Ako bolo uvedené vyššie, tieto opatrenia nie sú zložité a môžu byť ľahko pripravené koncerty a súťaže. Môžu byť otvorené pre všetkých a všetky sólistov, a to nielen na klavír, trúbku a tenor sax. Rozhodli sme sa opustiť prístrojového vybavenia tak, ako Nelson mal ju. 4 plátky, 3 trúbky, 3 trombón, gitara, piano, basa, bicie. neboli pridané žiadne voliteľné súčasti. Keď Nelson usporiadané tieto kúsky, tam boli žiadne olovené plechy, takže Monk hral je pre aranžér, ktorý vzal dole. Pred niekoľkými rokmi, vydavateľ Don Sickler pripravil folio z Monk hlavných listov vydaných Thelonious Hudba a distribuovaných Hal Leonard. Bol som jedným z redaktorov, ktorí pracovali s Donom. Všetky melódie v týchto veľkých nastavení kapely v súlade so schválenou verziou skladieb ako boli zverejnené v Monk Fakebook. Toto usporiadanie je založené na Olivera Nelsona pôvodnej rukopisnej partitúry - to nie je prepis. Jeffrey Sultanof-02 2010 Poznámka. Zvuk Vzorka je s láskavým dovolením Manhattan School of Music Concert Jazz Band pod taktovkou Justina DiCioccio.