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Originál

Three Suites. Charles Dieupart. Harpsichord sheet music.

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Tri Suites. Charles Dieupart. Čembalo noty.

Originál

Three Suites composed by Charles Dieupart. 1667-1740. Edited by Andrew Wooley. For Harpsichord. Playing score. 30. xv. pages. Published by Edition HH Music Publishers. HH.HH079-SOL. ISBN 978 1 905779 40 6. Little is known about the French-born musician Charles Dieupart. before 1667-c. 1740. before he settled in England in 1703 or slightly earlier. Hawkins wrote that he was a 'fine performer on the violin and also on the harpsichord', commenting on 'his neat and elegant manner of playing the. violin. solos of Corelli', and the music he composed in England also shows that he adopted the Italian style. His harpsichord music, however, reflects the earlier stage of his career when he primarily cultivated French and Germanic styles. The Six Suittes de Clavessin , published in 1701, contains most of the pieces that are known, nevertheless two manuscripts are important sources of interesting alternative versions of those in the printed collection, and of movements not known from elsewhere. The pieces unique to manuscript include the first five movements of a hitherto unpublished suite in E major.

Preklad

Three Suites composed by Charles Dieupart. 1667-1740. Zmenené Andrew Wooley. Pre čembalo. Hra skóre. 30. xv. stránky. Vydal Edition HH Music Publishers. HH.HH079-SOL. ISBN 978 1 905779 40 6. Málo je známe o francúzsky-rodený hudobník Charles Dieupart. Pred 1667-c. 1740. predtým, než sa usadil v Anglicku v roku 1703, alebo o niečo skôr. Hawkins napísal, že je "jemný umelec na husle a tiež na čembalo", komentuje "jeho elegantný a elegantný spôsob hrania. husle. sóla Corelliho ", a hudbu zložil v Anglicku tiež ukazuje, že on prijal taliansky štýl. Jeho čembalo hudba, ale odráža skoršom štádiu svojej kariéry, keď sa primárne kultivovaný francúzskej a germánske štýly. Šesť Suittes de Clavessin, publikoval v roku 1701, obsahuje väčšinu skladieb, ktoré sú známe, však dva rukopisy sú významným zdrojom zaujímavých alternatívnych verzií tých v tlačenej zbierke a pohybov nie je známe odinakiaľ. The pieces unique to manuscript include the first five movements of a hitherto unpublished suite in E major.