Noty $49.95

Originál

The Kaleidoscopic Pocket Hockets Boogaloo. Arthur Gottschalk. Bass Clarinet sheet music.

Preklad

Kaleidoscopic Pocket Hockets Boogaloo. Arthur Gottschalk. Bass Clarinet noty.

Originál

The Kaleidoscopic Pocket Hockets Boogaloo composed by Arthur Gottschalk. For Clarinet Choir, Bass Clarinet Choir. Chamber music, 20th century. Published by Potenza Music. P2.30037. The Kaleidoscopic Pocket Hockets Boogaloo takes its title from Tom Wolfe's "The Electric Kool-Aid Acid Test," and its inspiration from the literary genre described as "Hysterical Realism. " Hysterical realism, also called recherche postmodernism, is a term coined in 2000 by the English critic James Wood to describe a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization and careful, detailed investigations of real specific social phenomena. He used the term to denote the contemporary conception of the "big, ambitious novel" that pursues "vitality at all costs" and consequently "knows a thousand things but does not know a single human being. " He decried the genre as an attempt to "turn fiction into social theory," and an attempt to tell us "how the world works rather than how somebody felt about something. " The Kaleidoscopic Pocket Hockets Boogaloo uses elaborate and extravagant virtuosity from its performers and their instruments, incorporates styles ranging from Adams-like minimalism to Taj Mahal funk, and cites motives and progressions from works as diverse as "Grazin' in the Grass," "The Horse," and Stravinsky's "Ebony Concerto. " But it does not know a single human being.

Preklad

Kaleidoskopické Pocket Hockets Boogaloo zložil Arthur Gottschalk. Pre klarinet zboru, basklarinet zbor. Komorná hudba 20. storočia. Vydal Potenza hudby. P2.30037. Kaleidoscopic Pocket Hockets Boogaloo má svoj názov od Tom Wolfe je "The Electric Kool-Aid Acid Test," a jeho inšpirácie z literárneho žánru opísal ako "hysterický realizmus. "Hysterický realizmus, tiež volal recherche postmodernizmus, je termín vytvorený v roku 2000 anglický kritik James Wood popísať literárny žáner znázornený silným kontrastom medzi komplikovane absurdné próze, parcelovanie, alebo charakterizáciu a starostlivé, detailné vyšetrovanie skutočné konkrétne sociálne javy. On používal termín na označenie súčasnej poňatie "veľké, ambiciózny román", ktorý sleduje "vitalitu za každú cenu" a následne "pozná tisíc vecí, ale nevie, jedinú ľudskú bytosť. "On odsúdil žáner ako pokus o" premeniť fikciu do sociálnej teórie, "a pokus o povedzte nám," ako funguje svet, skôr než to, ako sa niekto cítil o niečo. "Kaleidoskopické Pocket Hockets Boogaloo používa prepracovaný a extravagantné virtuozitu od svojich umelcov a ich nástrojov zahŕňa štýly, od Adams-ako minimalizmus na Taj Mahal funk, a cituje motívy a priebehy z práce ako rôznorodý ako" grazin "v tráve", " kôň, "a Stravinského" Ebony Concerto. "Ale to nie je poznať jedinú ľudskú bytosť.