Noty $7.95

Originál

Svyati. O Holy One. John Tavener. Choir sheet music.

Preklad

Svyati. O Holy One. John Tavener. Zbor noty.

Originál

Svyati. O Holy One. composed by John Tavener. 1944-. For Choral. SATB. Music Sales America. 20th Century, Choral. 14 pages. Chester Music #CH61334. Published by Chester Music. HL.14032821. Quoting Tavener. “I began to write Svyati in early 1995. while sketching it, I learned that John Williams, father of Jane, my dear friend and publisher, was dying. I could not refrain from dedicating it to Jane and to the memory of her father. ” The text is in Church Slavonic, and it is used at almost every Russian Orthodox service, perhaps most poignantly after the congregation have kissed the body in an open coffin at an Orthodox funeral. The choir sings as the coffin is closed and borne out of the church, followed by the mourners with lighted candles. The cello represents the priest or icon of Christ, and should play at a distance from the choir, perhaps at the opposite end of the building. As is Greek drama, choir and priest are in dialogue with each other. Since the cello represents the icon of Christ, it must be played without any sentiment of a Western character, but should derive from the chanting of the Eastern Orthodox Church.

Preklad

Svyati. O Holy One. zložil John Tavener. 1944 -. Pre zborového. SATB. Music Sales Amerika. 20. storočia, Choral. 14 strán. Честер Музыка. Vydal Chester Music. HL.14032821. Citujem Tavener. "Začal som písať Svyati na začiatku roku 1995. pri skicovanie to som sa dozvedel, že John Williams, otec Jane, môj drahý priateľ a vydavateľ, umierala. Nemohol som sa zdržať venovať ju Jane a na pamiatku svojho otca. "Text je v staroslovienčiny, a je používaný v takmer každej ruskej pravoslávnej služby, snáď najviac uštipačne po zhromaždení pobozkal telo v otvorenej rakve na pravoslávneho pohrebe. Zbor spieva ako rakva je uzavretý a nesie z kostola, nasleduje smútiacich s zapálené sviečky. Cello predstavuje kňaza alebo ikonu Krista, a mali by hrať na vzdialenosti od zboru, snáď na opačnom konci budovy. Ako je grécky dráma, zbor a kňaz sú v dialógu s ostatnými. Vzhľadom k tomu, cello predstavuje ikonu Krista, to sa musí hrať bez akéhokoľvek sentimentu západného štýlu, ale mali by pochádzať z spievaním východnej pravoslávnej cirkvi.