Noty $70.00

Originál

Cape Breton Postcard. Catherine McMichael. B-Flat Trumpet sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 3.

Preklad

Cape Breton Pohľadnice. Catherine McMichael. B-Flat trumpeta noty. Euphonium noty. Horn noty. Bicie noty. Tympány noty. Trombone noty. Tuba noty. Stupeň 3.

Originál

Cape Breton Postcard composed by Catherine McMichael. For concert band. Piccolo, Flute 1. 2, Oboe, Bassoon, Clarinet in Bb 1. 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1. 2, Trombone 1. 2, Euphonium,. Baritone T.C. , Tuba, Timpani, Per. Band Music. Maestro Band Series. Grade 3. Score and parts. Duration 7. 00. Published by C. Alan Publications. CN.10090. The three movements. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. What is it about Cape Breton. What makes the people so strong and their music so keen. In 1497 the first Europeans led by the famed explorer John Cabot arrived on Cape Breton, which is now part of Nova Scotia, Canada. Cabot's discovery of the island led to its gradual settlement by Scots, Irish, French and English. The mid 1700s brought major changes to Scotland with the end of the Highland Clan System. Contemplating a grim future in their homeland, many Scots left for new opportunity in Cape Breton. Cape Breton has since become a stronghold of Gaelic culture, some say more deeply Scottish than Scotland. This fierce blend of daring, edgy courage, pathos and energy has become distilled to a fine, strong spirit in the music played by Bretonians from then until now. Music from Cape Breton is Celtic times twenty. The three movements of Cape Breton Postcard are meant to portray the integral bond between the land and the soul. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer, and used by permission of Cranford Publications of Cape Breton Island. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. Cape Breton Postcard was commissioned by the Hill Country Middle School Bands in Austin, Texas, Cheryl Floyd and Chuck Fisher, directors. The commission was funded by the Baylor University School of Music, Dr. Kevin Sedatole, conductor, and the Stevenson family. The piece was premiered by the Hill Country Middle School Band on May 24, 2005 at the Westlake High School Auditorium with the composer present. The orchestra adaptation was premiered by the Midland. MI. Community Orchestra, Robert Ralston, conductor on February 19, 2006.

Preklad

Cape Breton Pohľadnica zložený Catherine McMichael. Pre koncertné kapelu. Piccolo, flauta 1. 2, hoboj, fagot, klarinet v Bb 1. 3, basový klarinet, saxofón 1. 2, Tenor saxofón, barytón saxofón, trúbku v Bb 1, trubku Bb 2, trubku Bb 3, roh v F 1. 2, pozauna 1. 2, barytón,. Barytón T.C. , Tuba, tympany, Per. Kapela Hudba. Maestro kapela Series. Stupeň 3. Score a diely. Doba trvania 7. 00. Vydal C. Alan Publikácie. CN.10090. Tri pohyby. Dawn, hmly a Thunder sú podstatou pre životné prostredie mys Breton. Mist je odvodená z melódie pre sólové husle s názvom "Arisaig Mist" Wilfred Gillis, kanadský skladateľ. To strašenie melódie bola východiskom pre koncepciu celého kusu. Všetky ostatné melódie sú originálne tejto práce, ale inšpiroval veľa počúvať hudbu z Cape Breton. O čom to je Cape Breton. Čo robí ľudí tak silné a ich hudba tak horlivý. V roku 1497 sa prví Európania na čele slávneho prieskumník John Cabot prišiel na Cape Breton, ktorý je teraz súčasťou Nova Scotia, Kanada. Objav Cabot na ostrove viedla k jeho postupnému vyrovnanie od Škótov, írske, francúzske a anglické. V polovici 1700s priniesol zásadné zmeny do Škótska s koncom systému Highland klanu. Uvažuje chmúrne budúcnosť vo svojej vlasti, veľa Škótov vľavo pre nové príležitosti v Cape Breton. Cape Breton sa od tej doby stala baštou gaelské kultúry, niektorí hovoria, že hlbšie škótsky než Škótsku. Táto tvrdá zmes odvážne, nervózny odvaha, pátosom a energia sa stala destilovaná na jemný, silný duch v hudbe, ktorú hrá Bretonians od tej doby až do súčasnosti. Hudba z Cape Breton je keltské krát dvadsať. Tri pohyby Cape Breton Pohľadnice sú určené k vykresliť integrálne väzby medzi krajiny a duše. Dawn, hmly a Thunder sú podstatou pre životné prostredie mys Breton. Mist je odvodená z melódie pre sólové husle s názvom "Arisaig Mist" Wilfred Gillis, kanadský skladateľ, a používa sa zvolením Cranford výtlačky Cape Breton Island. To strašenie melódie bola východiskom pre koncepciu celého kusu. Všetky ostatné melódie sú originálne tejto práce, ale inšpiroval veľa počúvať hudbu z Cape Breton. Cape Breton Pohľadnice bol poverený kapiel Hill Country strednej školy v Austine, Texas, Cheryl Floyd a Chuck Fisher, riaditeľov. Komisia bola financovaná z Baylor University School of Music, Dr Kevin Sedatole, dirigent a rodiny Stevenson. Diel mal premiéru o Hill Country strednej školy kapela 24. mája 2005 na Westlake High School Auditorium s skladateľa súčasnosti. Adaptácia orchester premiéroval v Midland. MI. Orchestra Spoločenstva, Robert Ralston, vodič na 19.februára 2006.