Noty $15.00

Originál

Caprice For Trumpet And Band-Score. John Zdechlik. B-Flat Trumpet sheet music. Trumpet Solo sheet music. Grade 4.

Preklad

Caprice pre trúbku a Band-skóre. John Zdechlik. B-Flat trumpeta noty. Trubka Solo noty. Stupeň 4.

Originál

Caprice For Trumpet And Band-Score composed by John Zdechlik. Band. For trumpet solo and concert band. Conservatory Editions. Grade 4. Score. Published by Neil A. Kjos Music Company. KJ.WB177F. Caprice for Trumpet and Band was written in 1994. It was commissioned by Robert E Foster, Conductor of the University of Kansas Symphonic Band. The premier performance was presented on March, 9 1995 in Lawrence, Kansas at the 61st annual conference of the American Bandmasters Association. The soloist was William Campbell, Professor of Trumpet at The University of Kansas. It was the intent of Robert Foster and the composer to produce a work which was challenging for a professional trumpet player yet also playable by an outstanding college student. The piece consist of two contrasting themes in the allegro section followed by a lyrical middle section. Then the first two themes return in altered fashion. Special thanks to David Baldwin, Professor of Trumpet at the University of Minnesota for his helpful suggestions regarding articulation in the final version of this work.

Preklad

Caprice pre trúbku a Band-skóre v zložení John Zdechlik. Kapela. Pre rúrku sólo a koncertné kapely. Konzervatórium Editions. Stupeň 4. Skóre. Vydal Neil A. Kjos Music Company. KJ.WB177F. Caprice pre trúbku a kapela bola napísaná v roku 1994. To bol poverený Robert E Foster, dirigent z University of Kansas symfonického kapela. Výkon premiér bol predstavený marca, 9. 1995 v Lawrence v Kansase na 61. výročnej konferencii Americkej asociácie kapelníkov. Sólista bol William Campbell, profesor rúrku na univerzite v Kansase. Bol to zámer Roberta Fostera a skladateľa k vytvoreniu diela, ktoré bolo náročné pre profesionálne trubkár ale tiež hrateľné vynikajúci študent. Kus sa skladá z dvoch kontrastných tém v sekcii allegro nasleduje lyrického strednej časti. Potom prvé dve témy vrátiť v pozmenenej móde. Zvláštne poďakovanie patrí David Baldwin, profesor rúrku na univerzite v Minnesote za jeho užitočné návrhy týkajúce sa artikulácie vo finálnej verzii tohto diela.