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Originál

Traditional Jazz Series. Chicago-Style Jam Session. 2 CD. Clarinet sheet music.

Preklad

Tradičné Jazz Series. Chicago-Style Jam Session. 2 CD. Clarinet noty.

Originál

Traditional Jazz Series. Chicago-Style Jam Session. 2 CD. for clarinet. Instrumental Solo Part and 2 CDs. Published by Music Minus One. MO.MMOCD3239. ISBN 1596152664. This exciting MMO volume emphasizes collectively improvised ensembles and the succession of individual solos in the freewheeling "Chicago-Style" offshoot of New Orleans Jazz. The rhythmic texture is rooted in the swing feel of the late 1930s, and the instrumentation is typical of the New York groups of this genre. The songs are popular melodies from the 1900s to 1930s as well as multithematic compositions and blues-on this album you'll find such classics as "'Deed I Do," "Sugar," "The Darktown Strutters' Ball," "That's a Plenty" and more. Sometimes this style is referred to as the New York-Chicago style, sometimes as post-Chicago style. It has also been called "Nicksieland," a play on "Dixieland" that recognizes a Greenwich Village nightclub called "Nick's," where this music was showcased in the 1950s. Chicago-style jazz is named for the city where it first developed. In the 1920s, many New Orleans musicians, including Joe "King" Oliver, Jimmy Noone, Johnny and "Baby" Dodds, Freddie Keppard, "Jelly Roll" Morton, Louis Armstrong, the Original Dixieland Jazz Band, and the New Orleans Rhythm Kings actively performed and recorded in Chicago. There are also many younger musicians around Chicago who were profoundly influenced by their music, including Eddie Condon, Benny Goodman, Gene Krupa, Muggsy Spanier, Bud Freeman and many others. By the 1930s many of these same musicians moved on to New York. Some continued to perform in the New Orleans tradition and others became significant figures of the Swing era. As the Big Band era closed, improvising soloists still found work in New York clubs such as Nick's, Eddie Condon's and the Metropole. The texture was distinctly in the New Orleans tradition but the language was Swing and directly reflected the synthesis that took place in Chicago. The musicians chosen for this session are, in a way, exponents of this tradition. Their personal styles are amalgamations of the greatest stylists who preceded them. You can hear in Hal Smith aural glimpses of Dave Tough and George Wettling. You can hear in Jon-Erik shades of Muggsy Spanier and Wild Bill Davison. Brian Ogilvie's voice of choice is flavored by the sonorities of Bud Freeman and Eddie Miller, and Evan Christopher owes more than a little bit to Edmond Hall's style. The other musicians were chosen for these qualities as well, and as a result, this stylistically accurate recording demonstrates the inner workings of collective improvisation in a traditional jazz context. You'll be blown away by the quality of these jazz combos-and this album includes both printed solo part and a concert lead sheet, to give you a rare glimpse into the workings of the great bands of the past-and present. Also includes a slow-tempo version of the accompaniments to help you get up to speed. Includes a 32-page music book containing a solo chart for each song containing the melody line and chord changes for proper improvisational playing of each song. plus a concert lead sheet giving the overall "roadmap" for each piece, printed on high-quality ivory paper. and two compact discs containing the complete performance of these jazz combos in digitally mastered stereo. a digital stereo version of each piece minus the soloist. and a special -20% slow-tempo version of each accompaniment for practice purposes. For related items see the following item numbers. MMOCD3844, MMOCD3921, MMOCD4218. Rosetta. 'Deed I Do. Blues. My Naughty Sweetie Gives to Me. Sugar. That Sugar Baby o'Mine. The Darktown Strutters' Ball. The Royal Garden Blues. Poor Butterfly. That's A Plenty.

Preklad

Tradičné Jazz Series. Chicago-Style Jam Session. 2 CD. pre klarinet. Inštrumentálne Solo Part a 2 CD. Vydal Music Minus One. MO.MMOCD3239. ISBN 1596152664. Táto vzrušujúca objem MMO zdôrazňuje kolektívne improvizované súbory a postupnosť jednotlivých sól v neformálnej "Chicago-Style" odnož New Orleans Jazz. Rytmická štruktúra je zakorenená v hojdačke pocit neskorej 1930, a inštrumentácie je typický pre skupiny New York tohto žánru. Piesne sú populárne melódie od roku 1900 až 1930, ako aj multithematic skladby a blues-na tomto albume, ktoré nájdete také klasiky ako "" Deed Aj Do "," Sugar "," The Darktown Strutters "lopta", "to je Veľa "a viac. Niekedy sa tento štýl je označovaný ako štýl New York, Chicago, niekedy ako post-chicago štýl. To tiež bol nazývaný "Nicksieland," hra na "Dixieland", ktorý uznáva nočný klub Greenwich Village s názvom "Nick", kde bola táto hudba predstavila v roku 1950. Chicago štýle jazz je menovaný pre mestá, kde sa prvýkrát vyvinuté. V roku 1920, mnoho New Orleans hudobníkov, vrátane Joe "King" Oliver, Jimmy Noone, Johnny a "Baby" Dodds, Freddie Keppard, "Jelly Roll Morton", Louis Armstrong, Original Dixieland Jazz Band, a New Orleans Rhythm Kings aktívne hral a nahrával v Chicagu. Existuje tiež mnoho mladších hudobníkov okolo Chicaga, ktorí boli hlboko ovplyvnení ich hudby, vrátane Eddie Condon, Benny Goodman, Gene Krupa, Muggsy Spanier, Bud Freeman a mnoho ďalších. Do roku 1930 mnohé z týchto hudobníkov sa presunul do New Yorku,. Niektoré pokračoval hrať v New Orleans tradícii a iní sa stali významné osobnosti swingové éry. Vzhľadom k tomu, Big Band éry uzavretý, improvizovať sólisti ešte našiel prácu v New Yorku kluboch ako Nick, Eddie Condon je a Metropole. Štruktúra bola zreteľne v New Orleans tradícii, ale jazyk bol Swing a priamo odráža syntézu, ktorá sa konala v Chicagu. Zvolené pre túto reláciu hudobníci sú, svojím spôsobom, exponentov tejto tradície. Ich osobné štýly sú zlúčenie najväčších stylistov, ktorí predchádzali im. Môžete počuť Hal Smith zvukových záblesky Dave Tough a George Wettling. Môžete počuť v Jon-Erik odtieňoch Muggsy Spanier a Wild Bill Davison. Brian Ogilvie hlas voľby je ochutený pomocou zvučnostma z Bud Freeman a Eddie Miller, a Evan Christopher dlhuje viac než trochou do Edmond Hall štýlu. Ostatné muzikanti boli vybrané pre tieto vlastnosti tiež, a ako výsledok, to štýlovo presný záznam ukazuje vnútorné fungovanie kolektívnej improvizácie v tradičnej jazzovej kontexte. Budete unesený kvalitou týchto jazz kombá-a tento album obsahuje ako tlačený sólový part a koncertné hlavné list, aby vám vzácny pohľad do fungovania veľkých kapiel minulosť a súčasnosť. Tiež zahŕňa pomalé tempo verziu doprovody ktoré vám pomôžu dostať až na rýchlosť. Obsahuje 32-stranový zošit obsahujúci samostatnú tabuľku pre každú skladbu obsahujúce melodické linky a zmeny akordov pre správnu improvizačné hranie každej skladby. a koncert list vedenie dáva celkový "cestovnú mapu" pre každý kus, vytlačené na vysoko kvalitnom papieri Slonoviny. a dva kompaktné disky obsahujúce kompletné prevedenie týchto jazzových komb v digitálne zvládol stereo. digitálny stereo verzie každého kusu mínus sólistom. a špeciálne -20% slow-tempo verzie každého sprievodu pre účely praxe. Pre súvisiacich položiek pozri nasledujúci čísla položiek. MMOCD3844, MMOCD3921, MMOCD4218. Rosetta. "Deed Aj Do. Blues. My Naughty Sweetie dáva ku mne. Cukor. To Sugar Baby O'Mine. Darktown Strutters ples. The Royal Garden Blues. Poor Butterfly. To je veľa.