Noty $4.00

Originál

Ave Maria. A Cappella sheet music. Advanced.

Preklad

Ave Maria. Cappella noty. Pokročilý.

Originál

Ave Maria composed by Andrew Bonacci. For SATB choir divisi. a cappella. General. Moderately Difficult. Published by Laurendale Associates. MN.CH-1296. Ave Maria was composed for the University of Kansas Choirs, and dedicated with appreciation to Simon Carrington. King's Singers. It was premiered by the Oread Consort at Edington Priori Church in Wiltshire, England in May of 1997. The Gregg Smith Singers brought new life to this work at the 2000 Adirondack Festival of American Music in Saranac Lake, and followed with a recording on the Living Artist series. This piece was inspired by Gyorgy Ligeti's setting of Lux Aeterna. 1966. , as well as by Giuseppe Verdi's Ave Maria, the "scala enigmatica armonizzata a Quattro voci". 1898. It is shaped by a series of breath-like harmonic swells leading to climactic homophonic statements of the text, with strident voice pairings yearning for resolution. New York writer Watson Bosler describes the work as an "iridescent wash of color as an intricate web of interrelated melodic and rhythmic themes - This Ave hymns not the sugar-water Virgin of Gounod or Scott, but rather the powerful Goddess Yeats depicts. The Roman Empire stood appalled. It dropped the reins of peace and war. When that fierce virgin and her Star. Out of the fabulous darkness called.

Preklad

Ave Maria v zložení Andrew Bonacci. Pre SATB spevácky zbor Divisi. a cappella. Všeobecný. Stredne náročná. Vydal Laurendale Associates. MN.CH-1296. Ave Maria bola zložená na University of Kansas zborov, a venuje sa zhodnotenie na Simon Carrington. Královi Singers. To bolo premiered v Oréade Consort na Edington Priori cirkvi v Wiltshire, Anglicko v máji 1997. V Gregg Smith Singers priniesol nový život na tejto práci v Adirondack festivalu americkej hudby v Saranac Lake 2000, a následne sa záznamom na Living Artist série. Tento kus bol inšpirovaný nastavenie Gyorgy Ligeti z Lux Aeterna. 1966. , Rovnako ako u Verdiho Ave Maria, "tajomný stupnica harmonizovať štyri položky". 1898. To je formovaný radom dych ako harmonických vlnách, ktoré vedú k vrcholným jednohlasných uzávierky texte, sa prenikavý hlas dvojica túži po riešenie. New York spisovateľ Watson Bosler opisuje prácu ako "dúhové umývanie farby ako zložité pavučiny prepojených melodických a rytmických motívov - To Ave kostolných piesní nie cukor-voda Panny Márie z Gounod alebo Scott, ale mocné bohyne Yeats líči. Rímska ríša stála zhrozenie. Je upustil opraty mieru a vojny. Keď to divoké panna a jej hviezda. Z rozprávkového temnoty zvanej.