Noty $65.00

Originál

Good Bait. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Preklad

Dobrý Bait. Gitara noty. B-Flat trumpeta noty. Bubny noty. Bicie noty. Klavírny noty. Trombone noty. Pokročilý.

Originál

Good Bait edited by Jeffrey Sultanof. Arranged by Tadd Dameron. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8493. From the notes by Jeffrey Sultanof. Background. Tadd Dameron was one of the most influential composer. arrangers in American music. Born in 1917, he wrote for bands led by Jimmie Lunceford, Count Basie, Billy Eckstine. many original compositions later performed by the Dizzy Gillespie Orchestra were originally written for Eckstine. , Ted Heath and Tommy Dorsey. He also arranged for Sarah Vaughan, Pearl Bailey and the underrated Kay Penton. Dameron led various groups for live gigs and recordings, and the musicians he played with constituted a who's who of jazz. At one time or another his ensembles included Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, J.J. Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane and Clifford Brown. Unfortunately Dameron was institutionalized in Kentucky for drug possession from 1958 through 1961. While still in prison, he contributed several arrangements to a Blue Mitchell album on Riverside Records, and when he was released, Riverside wanted him to make an album of his own. The Magic Touch was the result, and this resulted in various composing and arranging assignments, most notably for Benny Goodman, who commissioned several scores from Dameron for his 1962 big band that made an historic tour of the Soviet Union. The Music. Good Bait had originally been written for Count Basie, and was copyrighted in 1944. Dameron also arranged the tune for the Billy Eckstine Orchestra, and when that ensemble folded, Dizzy Gillespie added the setting to his book, playing it frequently. Basie began playing it in 1948 after Gillespie popularized it. In 1962, publisher Bregman, Vocco &Conn asked Dameron to arrange this for big band publication, as well as other titles that he'd composed over the years that they owned. This version of Good Bait includes the unison brass line after the instrumental solos. All of the BVC publications had numerous errors in pitch, rhythm and transposition. This publication of Good Bait has been newly edited and corrected. Notes to the Conductor. Even though the Gillespie RCA Victor performance is well-known, in my opinion it is a little fast, perhaps the natural result of playing the piece very often and wanting to make it more exciting. If you can find it, the 1948 Salle Pleyel concert recording has an excellent tempo. Good Bait should sound relaxed, with careful attention to dynamics. There are several soft dissonances in the writing, and I assure the band director that the notes have been double-checked for accuracy. Acknowledgements. We wish to thank Mia Dameron and Don Sickler for their support of our Tadd Dameron series of arrangements. Ranges. Trumpet 1 to C6 Trombone 1 to Bb 5.

Preklad

Dobrý Bait editoval Jeffrey Sultanof. Dohodol Tadd Dameron. Pre veľkú skupinu. 2 Alto saxofóny, 2 Tenor saxofóny, barytón saxofón, 4 trúbky, 4 trombón, gitara, klavír, basa, bicie. Hojdačka. Stredne ťažká. Score a diely. Vydal Jazz Lines Publikácie. JL.JLP-8493. Z poznámkami Jeffrey Sultanof. Pozadie. Tadd Dameron bol jedným z najvplyvnejších skladateľ. aranžérov v americkej hudbe. Narodil sa v roku 1917, on písal pre kapely pod vedením Jimmie Lunceford, Count Basie, Billy Eckstine. mnoho originálnych kompozícií neskôr vykonávané Dizzy Gillespie orchestra bol pôvodne napísaný pre Eckstine. Ted Heath a Tommy Dorsey. On tiež zariadil pre Sarah Vaughan, Pearl Bailey a podceňovaný Kay Penton. Dameron viedol rôzne skupiny pre živé vystúpenia a nahrávok, a hudobníci hral s predstavovali Kto je kto v jazzu. V tej či onej dobe súčasťou jeho súbory tuky Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, JJ Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane a Clifford Brown. Bohužiaľ Dameron bola inštitucionalizovaná v Kentucky za držanie drog od 1958 do 1961. Kým ešte vo väzení, on prispel niekoľkých opatrení k albumu Modrá Mitchell na Riverside Records, a keď bol prepustený, Riverside chcel, aby album jeho vlastné. Magic Touch bol výsledok, a to malo za následok rôzne skladanie a aranžovanie úlohy, predovšetkým pre Benny Goodman, ktorý poveril niekoľko skóre z Dameron pre jeho 1962 big band, ktorý robil historickú cestu do Sovietskeho zväzu. Hudba. Dobrá návnada bola pôvodne napísaná pre Count Basie, a bol chránený autorskými právami v roku 1944. Dameron tiež zariadil melódiu pre Billy Eckstine orchestra, a keď ten súbor zložený, Dizzy Gillespie pridané nastavenie pre jeho knihy, hrať to často. Basie začal hrať ju v roku 1948 po tom, čo Gillespie ju popularizoval. V roku 1962, vydavateľ Bregman, Vocco. Táto verzia Dobré návnada obsahuje unisono mosadzný riadok po inštrumentálnych sól. Všetky publikácie BVC mal početné chyby v pitch, rytmu a prevedenie. Táto publikácia Dobré Bait bol novo upravený a opravené. Poznámky k vodičmi. Aj keď výkon Gillespie RCA Victor je dobre známy, podľa môjho názoru je to trochu rýchlo, snáď prirodzeným dôsledkom hrať kus veľmi často a chcú, aby bolo viac vzrušujúce. Ak ju nájdete, Salle Pleyel záznam koncertu 1948 má vynikajúce tempo. Dobrá návnada by mala znieť uvoľnene, so starostlivou pozornosťou k dynamike. Existuje niekoľko mäkké dissonances v písaní, a uisťujem kapelu riaditeľa, že poznámky boli dvakrát skontrolovať správnosť. Poďakovanie. Radi by sme poďakovali Mia Dameron a Don Sickler za ich podporu našej Tadd Dameron sériu opatrení. Rozsahy. Rúrka 1 až 6 atómami pozauna 1 Bb 5.