Noty $3.95

Originál

Ave Maria. Knut Nystedt. Choir sheet music.

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Ave Maria. Knut Nystedt. Zbor noty.

Originál

Ave Maria composed by Knut Nystedt. 1915-. For SATB choir, violin. Carus Novus. Contemporary choral music. Score available separately - see item CA.991300. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Violin part. Language. Latin. Composed 2001. Op. 110. 4 pages. Duration 13 minutes. Published by Carus Verlag. CA.991311. With Language. Latin. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. In his Ave Maria Nystedt has followed tradition by setting the original words of the prayer to Mary. He has adopted the unusual form of a violin concerto, with the choir replacing the orchestra as the violin's partner. In a sort of neo-romantic tonal language the choir joins in a dialogue with what is perhaps the most songlike of all instruments, the violin, which in accordance with the classical-romantic tradition even has a solo cadenza. Repeatedly, in addition to this dialogue, a wonderful blending of the sound of violin and choir occurs in which the choir employs primarily chordal sounds of an enriched tonality. but often it also uses pure major and minor chords to express the profound moments of the prayer.

Preklad

Ave Maria zložil Knut Nystedt. 1915 -. Pre SATB spevácky zbor, husle. Carus Novus. Súčasná zborová hudba. Skóre dispozícii samostatne - viď bod CA.991300. Slávnosti Panny Márie, kostolné piesne v chvále Panny Márie. Husľový part. Jazyk. Latina. Skladá 2001. Op. 110. 4 strany. Doba trvania 13 minút. Vydal Carus Verlag. CA.991311. Sa jazyk. Latina. Slávnosti Panny Márie, kostolné piesne v chvále Panny Márie. Vo svojom Ave Maria Nystedt nasledoval tradíciu nastavením pôvodnej slová modlitby k Panne Márii. On prijal neobvyklú formu husľového koncertu, so zborom nahradí orchester ako partner huslí. V akejsi neo-romantické tónový jazyk zbor sa pripojí v dialógu s tým, čo je snáď najviac songlike všetkých nástrojov, husle, ktoré v súlade s klasicko-romantickej tradície má aj sólové kadencie. Opakovane, okrem tohto dialógu, nádherný miešanie zvuku huslí a zboru sa vyskytuje v ktorej zbor používa predovšetkým chordal zvuky obohatené tonality. ale často sa tiež používa čisté hlavné a molové akordy vyjadriť hlboké okamihy modlitby.