Noty $5.95

Originál

Tenebrae factae sunt. Choir sheet music.

Preklad

Tenebrae factae sunt. Zbor noty.

Originál

Tenebrae factae sunt. Responsory in the Nocturn on Good Friday. Composed by Ko Matsushita. For SSATBB choir. Carus Contemporary. Contemporary choral music. Lent and Passiontide. Full score. Text language. Latin. 8 pages. Duration 6 minutes. Published by Carus Verlag. CA.964100. ISBN M-007-14354-1. With Text language. Latin. Lent and Passiontide. The Good Friday Responsory "Tenebrae factae sunt" for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the "World Choir Games" in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, "Deus meus, ut quid me dereliquisti. "My God, why hast thou forsaken me". and "Pater, in manus tuas commendo spiritum meum". "Father, into thy hands I commend my spirit". as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the "carus contemporary" series, it is well within the abilities of ambitious chamber choirs.

Preklad

Tenebrae factae sunt. Responsory in the Nocturn on Good Friday. Pokojný Ko Matsushita. Pre SSATBB zboru. Carus Contemporary. Súčasná zborová hudba. Pôstne a Passiontide. Plný skóre. Text jazyka. Latina. 8 strán. Dĺžka 6 minút. Vydal Carus Verlag. CA.964100. ISBN M-007-14354-1. S textom jazyku. Latina. Pôstne a Passiontide. Veľký piatok responsoria "Tenebrae factae sunt" na šesť častí, zbor bol uvedený do prevádzky v roku 2012, Peking University Študent speváckeho zboru a mal premiéru na "World Choir Games" v Cincinnati, Ohio, USA, vedená Hou Xijin. Je to ambiciózny práca s vriacou intenzitou. Matsushita nastaví dve posledné Ježišove slová, "Deus MEUS, ut quid ma dereliquisti. "Bože môj, prečo si ma opustil". a "Pater, v Manus Tuas commendo spiritum meum". "Otče, do tvojich rúk porúčam svojho ducha". as bolelo výkriky v Stravinskyian tvrdosti, v akordy vyznačujúci sa tým, tritones, ako skutočne nadľudské dielo vykúpenia, ktorého veľkonočné posolstvo nádeje sa objaví len v poslednom zmierlivom F dur akord. Aj keď táto práca leží mierne nad hornou hranicou hudobných a speváckych technickej náročnosti "Carus súčasného" séria, to je dobre v rámci schopnosti ambicióznych komorných zborov.